Like Cartier-Bresson or Saul Bellow’s Sammler, who trawled the streets of New York taking in “aesthetic consumption of the environment,” these kinds of discrete projects give us a lens into the found poetry of the city that is priceless.
Like Cartier-Bresson or Saul Bellow’s Sammler, who trawled the streets of New York taking in “aesthetic consumption of the environment,” these kinds of discrete projects give us a lens into the found poetry of the city that is priceless.
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