Posts Tagged ‘future death toll’

What I Would Do If It Were First Thursday In Portland Oregon

Thursday, March 4th, 2010


GRIP, GRASP, GROPE, AND FONDLE

Lucas Murgida
Autzen Gallery
2nd Floor PSU Neuberger Hall, Room 205, 724 SW Harrison

SF artist Murgida makes work through (and addressing) his work … conducting “research” while employed as cabinetmaking, restaurant work, locksmithing, and now yoga instruction. Artist talk/performance at opening.

Wrecking Crüe
IGLOO
625 NW Everett #102

Titled cute, this is a group show of work by Jordan Tull, Josh Smith, Salvatore Reda, Joshua Pavlacky, and Jeff Jahn (like the j-alliteration…should Salvatore change his first name?). Bullet points from the quite poetic statement:

  • constructed space
  • structural invention
  • half-made/half-undone
  • hypershapes
  • blueprints and Outer Space
  • rendering philosophical material from impulsive architecture

3X_PWN_TRANZ
Future Death Toll
Tractor
328 NW Broadway

sometimes when you pick up the pwn, you don’t know who is on the other line.
sometimes when you pick up the pwn, you do all the talking.
sometimes when you pick up the pwn, the pwn does all the talking for you.

I’m into the idea of “evidence of a past or future mission to transmit” as well as the machines of communication.

Grassland Alphabet
Seth Nehil
In House Gallery
625 NE Everett St. #106

“…calligraphic exercises – letter-forms constructed from waves and clusters of marks. I imagined a field of wheat attempting to form itself into words, a mute landscape swelling in the wind, blades of grass arranging and aligning themselves.”

Constrain to Vertical
Brenda Mallory
DOPPLER PDX
625 NW Everett Street #109

Fabric wall pieces inspired by stacks of UPS “end-of-day” barcodes + Agnes Martin.

Also

Clouds
Lucinda Parker
Laura Russo
805 NW 21st

O.G. Ab-Ex powerhouse and longtime arts educator Parker with a show of new paintings. Parker gives a talk Saturday, March 27, at 11 AM.

Melody Owen  Drought in Kenya: Swan  2009

Letters from Switzerland
Melody Owen
Elizabeth Leach
417 NW 9th

“For Letters from Switzerland, using the tools and media of the Swiss-originated Dadaists, Owen created a precise and strange group of collages, examining feelings of dislocation and disconnection. Featuring bisected animals spilling flowers from their guts, and hotels sprouting roots that can’t find purchase, these works allude to the deracinated experience of the contemporary traveler.”

Marie Watt, Trunk 2010

Marker
Marie Watt
PDX Contemporary Art
925 NW Flanders

Show of new work by Watt including “Trunk,” this incredible, sinuous cedar sculpture.

Laurie Danial
Froelick Gallery
714 NW Davis

Abstract paintings by Danial that feature tracings, structures, transparencies, the built and the organic.

Cryospheric Disturbances

Thursday, February 18th, 2010

Weird Fiction

Weird-Fiction heads south with its “Cryospheric Disturbances” to Ditch Projects in Springfield, OR. With Future Death Toll, Weird Fiction plays the opening of an exhibition of work by J.B. Raetzke and Matthew Gamber as part of “Ditch Freeze: A wintry mix of exhibitions, festivities and special events” this Saturday, February 20, 7-10PM. Performances begin at 9 PM.

Staving off vamplers and rogue Space-Time Transients, Weird Fiction undercover new paths in the Hollow Earth. Culled from reams of reports and emergent patterns from a year’s worth of posts, Weird-Fiction’s latest offering, Cryospheric Disturbances, sweeps the viewer into a shadowy realm of mythos and mystery not soon to be forgotten. Eager denizens of the interweb will find suggestive correspondences between hours 9pm and 10pm, dispatched from feed: http://twitter.com/cthulhucalling

Cryospheric Disturbances from Jeffrey Richardson on Vimeo.

Future Death Toll

Tuesday, February 9th, 2010

future death toll

When did they redesign? I don’t know, but I like Future Death Toll’s website right now. The amber screen and command line interface will make old computer hounds wistful and make those who grew up with the World Wide Web disoriented in what will probably end up being a good way. Fun.

The three-man performance group, who moved to Portland last year from points east, will be at Valentine’s tonight as part of Through the Lens.

Through the Lens

Monday, February 8th, 2010

Through the Lens, an evening of new performance curated by Danielle Ross

There’s been an uptick in performance as a visual art strategy in Portland recently along with some healthy chocolate-in-my-peanut-butter/peanut-butter-in-my-chocolate overlap between performance and visual art spaces. During December is Action Art at Rocksbox Fine Art, among the handful of visual artists who did performance pieces were Sean Joseph Patrick Carney doing “Joaquin Phoenix’s Donner Dance Party” and Michael Reinsch composing a poem of found fragments of speech by using the remote control to change channels on a television in the gallery. Arts collectives Weird Fiction and Oregon Painting Society embrace performance as well as installation (OPS installations employing elements that invite performance…plant synthesizers!). Bethany Ides’ “Approximate L” project was a complex, interlocking series of performances and visual art collaborations culminating in an installation at Worksound. Stephanie Simek’s “Brea(d)th” live international video piece at the Odds and Ends (Karl Lind)-curated Alembic knocked my socks off. The Alembic series at Performance Works Northwest blends performance, dance, music, and visual art while the Half/Dozen + Projects series at Half/Dozen brings performance into the gallery space: it was great seeing so many visual artists at Lucy Yim’s “merriment and a fleet of hooves” at Half/Dozen. And more collaboration between worlds of performance, dance, and visual art can only be to the good. See: Rauschenberg + Cunningham + Cage.

Tuesday night at 9 PM at Valentines (232 SW Ankeny), Through The Lens gathers artists (primarily choreographers and musicians) working around the concept of found performance. Choreographer Danielle Ross, who put the evening together, is interested in the idea of found performance, both in the sense of the artist creating work from the found, and the audience “finding” or participating in performance (she calls it “found opportunity for viewership” which sounds to me like performance in unexpected places). The evening will play with found interaction, found dialogue, found noise/sound. It’s a strong lineup mostly featuring performers coming from contemporary dance with the exception of arts group Future Death Toll. See you there.

Danielle Ross with Jean Paul Jenkins (and performers Keyon Gaskin, Leah Wilmoth, Lillian Rossetti, and Robert Tyree)
Linda Austin
Paige McKinney (and performers Esther LaPointe, Beth Loy, Bonni Stover, Taylor Young)
Tahni Holt with Thomas Thorson
Future Death Toll
Little Friction Dance
Suniti Dernovsek