Archive for May, 2007

Lead Pencil Studio Tonight @ Wieden+Kennedy

Wednesday, May 30th, 2007

Lead Pencil Studio’s Maryhill Double

Maryhill Double

If a tree falls “building” is built in the forest on a bluff in the middle of nowhere and no one was there to hear see it, does it make a sound?

Answer: yes. Lead Pencil Studio’s “Maryhill Double,” a lo-fi replica of the Maryhill Art Museum which was installed somewhere along the Columbia Gorge from July to October 2006, continues to make an impact, it’s ghostly afterglow burned into the collective PDX art memory whether we made the trek to the Gorge or not.

Tonight, Wednesday, May 30, Disjecta presents “Spatial Inquiry,” a lecture on art and architecture by Annie Han and Daniel Mihalyo of Seattle-based Lead Pencil Studio at the Wieden + Kennedy Atrium ( 224 NW 13th Ave). Han and Mihalyo are set to discuss the “architectural aspiration of creating spaces for nothing.” (We’ve always appreciated the definition of art as the creation of the thing for which there is no use, and we love “nothing.”)

The duo recently showed at the Henry Art Gallery and currently have work at the Exploratorium in San Francisco and Lawrimore Project in Seattle.

Ann Ploeger’s Portraits

Sunday, May 27th, 2007

Portraits by Ann Ploeger

Portland-based photographer Ann Ploeger’s distinctive photos take the mundane and give it a hyperreal edge. She mainly shoots portraits of regular people in their environments (or in an environment that could well be theirs), but these photos are anything but regular. It’s something in the straightforward, unposed poses — a little awkward or blocky — something in the light that can be a a bit eerie, something in the colors, which are like additional characters in the portraits as in an Almadovar movie. If anything, they feel like they owe a debt to Cindy Sherman, though Ploeger shoots non-Ploeger subjects. But Ploeger is doing her own thing.

You’ve likely seen her work. She’s also done photos for local apparel designers (Midgewear) and covers for local publications like the Mercury.

The national release party for her first book, aptly titled, Portraits, is Thursday, June 7 at No Fish Go Fish Restaurant (3962 SE Hawthorne) from 8-11pm. If you just can’t wait, the book is available for pre-sale (free shipping) at the publisher’s website.

Lucky 13: Ten Tiny Dances at Bluehour

Tuesday, May 22nd, 2007

Cydney Wilkes performs at Ten Tiny Dances

By the numbers: 4 feet squared, ten dances, thirteenth iteration.

It’s the thirteenth time that Mike Barber has produced Ten Tiny Dances, a cabaret-like showcase of Portland dance and choreographic talent in 15 minute increments on a 4 foot by 4 foot stage. Ten Tiny Dances has been to Seattle, has been featured in PICA’s TBA festival, and has carved out space for dance in restaurants and clubs like Crush, Bernie’s Southern Bistro, the Doug Fir, and Bluehour.

Ten Tiny Dances 13 is this Sunday May 27  at 7:30 at Bluehour (250 NW 13th Ave) in Portland. The doors will open at 6:30 at which point, if past experience is any indication, every available seat and non-seat will soon be filled with an audience member. Tickets are available at the door only for $15.

This program features both Ten Tiny vets and new blood: Michael “Shoehorn” Conley, Robyn Conroy, Anne Furfey, Jenn Gierada + Laura Robbins, Margretta Hansen, Agnieszka Laska, Tere Mathern, Summer Morgan, Katrina O’Brien, Cydney Wilkes + Mike Barber.

Highly recommended.

For more on Ten Tiny Dances (and why we love it) read this review on ultra and this from the TBA blog.

$15 Million to PNCA

Tuesday, May 22nd, 2007

Pacific Northwest College of Art

Portland’s cultural landscape is poised to receive a brilliantly transformative boost in the form of a $15 million gift from Hallie E. Ford to the Pacific Northwest College of Art (PNCA). Reported today by D.K. Row, the gift will fund the new Ford Institute for Visual Education, allowing PNCA to bring world-class artists and designers to live, work, and teach in Portland…good for the students, great for the college, and phenomenal for the city.

The amping up of a program like this can only be exciting for the existing, talented faculty — artists like MK Guth and David Eckard — and students. For us non-students, the energy ripples outward: imagine exhibitions, panels, lectures, workshops, Q&A’s, little chats here and there with visiting artists. This will do for the visual arts over a longer term, what PICA’s TBA festival does in a short burst once each year for the performing arts. It energizes Portland artists and helps forge connections with artists and arts professionals from elsewhere.

Stay tuned for more on this.

Call: Jewelry Artists for MCC Show

Monday, May 21st, 2007

Touching Warms the Art January 19-March 23 at The Museum of Contemporary Craft

Touch it. Go ahead. Among the kinds of art our mom’s won’t tell us not to touch are those that are meant to be worn, clothing, jewelry. But as The Museum of Contemporary Craft notes, most museum exhibitions that deal with art jewelry display it under glass…understandable when precious metals &c. are involved.

But the Museum is going to do a show next year — Touching Warms the Art, January 19-March 23 — that foregrounds the relationship between the body and art jewelry, a show in which everything is meant to be, and is, touched. So, they’re issuing a call for artists for this show juried by Rebecca Scheer, Rachelle Thiewes, and Namita Gupta Wiggers.

As the call puts it, “artists are encouraged to explore questions of materiality, construction, design and wearability. Putting aside preciousness, makers of art jewelry are invited to create objects that give audiences the freedom to touch – and temporarily wear – these adornments.”

The deadline to apply is August 15, see the prospectus for more info.