Through the Lens

There’s been an uptick in performance as a visual art strategy in Portland recently along with some healthy chocolate-in-my-peanut-butter/peanut-butter-in-my-chocolate overlap between performance and visual art spaces. During December is Action Art at Rocksbox Fine Art, among the handful of visual artists who did performance pieces were Sean Joseph Patrick Carney doing “Joaquin Phoenix’s Donner Dance Party” and Michael Reinsch composing a poem of found fragments of speech by using the remote control to change channels on a television in the gallery. Arts collectives Weird Fiction and Oregon Painting Society embrace performance as well as installation (OPS installations employing elements that invite performance…plant synthesizers!). Bethany Ides’ “Approximate L” project was a complex, interlocking series of performances and visual art collaborations culminating in an installation at Worksound. Stephanie Simek’s “Brea(d)th” live international video piece at the Odds and Ends (Karl Lind)-curated Alembic knocked my socks off. The Alembic series at Performance Works Northwest blends performance, dance, music, and visual art while the Half/Dozen + Projects series at Half/Dozen brings performance into the gallery space: it was great seeing so many visual artists at Lucy Yim’s “merriment and a fleet of hooves” at Half/Dozen. And more collaboration between worlds of performance, dance, and visual art can only be to the good. See: Rauschenberg + Cunningham + Cage.

Tuesday night at 9 PM at Valentines (232 SW Ankeny), Through The Lens gathers artists (primarily choreographers and musicians) working around the concept of found performance. Choreographer Danielle Ross, who put the evening together, is interested in the idea of found performance, both in the sense of the artist creating work from the found, and the audience “finding” or participating in performance (she calls it “found opportunity for viewership” which sounds to me like performance in unexpected places). The evening will play with found interaction, found dialogue, found noise/sound. It’s a strong lineup mostly featuring performers coming from contemporary dance with the exception of arts group Future Death Toll. See you there.

Danielle Ross with Jean Paul Jenkins (and performers Keyon Gaskin, Leah Wilmoth, Lillian Rossetti, and Robert Tyree)
Linda Austin
Paige McKinney (and performers Esther LaPointe, Beth Loy, Bonni Stover, Taylor Young)
Tahni Holt with Thomas Thorson
Future Death Toll
Little Friction Dance
Suniti Dernovsek

Tahni Holt and Linda Austin Invite You to Dine

How are Portland-based choreographers Tahni Holt and Linda Austin raising money to support the creation of new work in 2010? They’re doing a dinner series with two guest performers, artists, or writers in conversation with each other and guests at each monthly dinner.

Austin and Holt say the series was inspired by, “Our love for communal eating, a desire for more discourse that touches upon performance as an art among other arts, and a curiosity about other people’s processes: what and how and why they make what they make and do what they do.”

And if you come on May 22, you can eat and talk with me. I’m honored to be in such company.

Feb 27 Angelle Hebert (tEEth)+ Angela Fair

March 20 Linda Austin+ Kristan Kennedy

April 24 Tahni Holt+ Ethan Rose

May 22 Cydney Wilkes + Lisa Radon

June 26 David Eckard + Linda K. Johnson

July 24 Tiffany Lee Brown + Joshua Berger (Plazm)

Each dinner has room for 20 guests. You can email hello@tahniholt.com for reservations. Every dinner is at a different, secret, location that will be given upon reservations. $30-$100 (sliding scale) for one dinner / $100-$200 for four dinners.

From the press release:

Linda and Tahni are both active members in the performance community in Portland whose performing lives have intertwined in interesting ways in the past several years. As individuals they both have received numerous regional grants and awards. Most recently Linda’s work has been seen in New York, PICA’s TBA Festival, and at Performance Works Northwest. Over the past summer Tahni performed in Vienna, Austria and in Seattle, WA. In the summer of 2004 Linda and Tahni were two of ten selected to participate in Regional Dance Development Initiative (National Dance Project/NEFA) in Seattle. In 2005 they fundraised together in order to travel to Scotland for Deborah Hay’s Solo Commissioning Project. They performed back to back solo adaptations of Hay’s Room at PICA’s TBA( 2006), at Reed College Art week (2007) and in the Fusebox Festival (2007) in Austin, TX. They continue to find ways to support each other’s work and have a deep appreciation for the other’s creations.

The In-Between Time

Test Pattern

Here We Are Going